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In a world where Africanness is othered and still viewed as less than, the conflation between the one-dimensional is now classed as afrobeats and the lived experience of people on the continent and diaspora leaves a bad taste in many mouths. How can a continent so rich in resources, languages and culture so often be sidelined and diminished on a world stage? When is enough, enough?
So while the timeline gasped and speculated about the meaning behind WIzkid’s rant – I simply laughed to myself and carried on scrolling.
Aged 17, when I was venturing out to clubs for the first time, songs like Pakuromo and Slow Down ft R 2 Bees ushered in a new wave of cultural pride amongst me and friends. We knew Starboy had it, even back then.
Fast forward to 2024, and the release of Morayos, Wizkid’s sixth studio album and first after the passing of his mother, the album’s name sake.
On Morayo, tracks like Bend and Karamo transport listeners back to Wizkid’s earlier days, with vibrant rhythms and melodies that nod to his Afrobeats roots. These songs capture the essence of his signature sound—percussion-heavy, infectious, and steeped in cultural pride. Meanwhile, collaborations like Bad for You featuring Jazmine Sullivan offer a soulful twist, blending Afrobeat and R&B with heartfelt lyrics and sultry vocals. The fusion feels both nostalgic and innovative, showcasing Wizkid’s ability to evolve while staying true to his roots.
The album is as diverse as it is cohesive. Although the vibe shifts throughout, the roots remain intact. Morayo is exactly the kind of music one would expect from an artist of Wizkid’s calibre at this point in his career. Masterful and deliberate, with a level of intention and quiet confidence that cannot be shaken, Morayo is a sublime body of work.
The universal lesson is simple: good music is good music, no matter where it comes from. Wizkid has proven this time and time again. No doubt, Morayo will solidify his legacy even further, and we’ll still be listening for years to come.
